One among our first infractions at Ghibli Park was hoisting our 1-year-old onto the polyester tummy of a woodland spirit creature. One other was letting him slip below a barricade and shelter inside a furry bus with cat eyes for headlights.

“He’s not following the protocol,” I instructed my spouse, because the employees overseeing the cat-bus play zone regarded on anxiously.

“He’s making a mockery of it,” she mentioned. However we didn’t cease him.

Ghibli Park, which opened in November exterior Nagoya, Japan, pays homage to the eccentric, enchanting movies of Studio Ghibli, an organization co-founded within the Eighties by the director Hayao Miyazaki. We took our two toddlers there as a result of their favourite film is “My Neighbor Totoro,” a beloved 1988 Miyazaki movie starring the spirit creature and its cat-bus sidekick.

As dad and mom, we thought it will be enjoyable for our boys, 3 and 1, to expertise a “Totoro” immersion. And as longtime Ghibli followers, we have been eager to see what the place regarded like.

American guests could marvel how Ghibli Park compares with Disney World. It doesn’t actually. It feels a lot lower-key and has no rides, unique animals, jumbo turkey legs or animatronic American presidents, amongst different issues. The principle level is to wander round absorbing Miyazaki vibes.

Additionally, the park shouldn’t be completed. Grafted onto an present municipal park, it opened late final yr, however as of early July solely three of 5 deliberate ticketed websites have been open. Once I booked for a June go to, tickets to solely a kind of websites — a constructing known as “Ghibli’s Grand Warehouse” — have been obtainable to worldwide guests reserving by means of the park’s web site. (It was doable to e-book the opposite two websites by means of Japanese journey companies, however I solely realized that a lot later, from a Japanese speaker.)

Susan Napier, a biographer of Mr. Miyazaki at Tufts College who visited Ghibli Park in April, instructed me that it had struck her as a “work in progress.” She additionally described the ticketing course of, which has included lotteries and lengthy on-line queues, as “byzantine and never enjoyable.”

Perhaps because of this Studio Ghibli itself appears ambivalent about selling Ghibli Park. In Japan, it has run ads advising followers to “take your time” visiting.

A hypothetical theme park celebrating Nintendo or Pokemon, two different iconic Japanese artistic manufacturers, would nearly actually really feel extra Disney World-like, mentioned Matt Alt, the creator of the 2021 e-book “Pure Invention: How Japan’s Pop Tradition Conquered the World.” However he added that the park’s diffuse format and low-key advertising have been in character for a studio co-founded by Mr. Miyazaki, a director who has by no means hidden his anticapitalist politics.

Ghibli Park shouldn’t be a spot to “flip your mind off,” Mr. Alt instructed me. “It calls for a stage of mental engagement that almost all parks don’t.” Once I booked our go to, in March, a little bit of psychological stimulation sounded good. I imagined wandering the grounds in dappled daylight, musing on Mr. Miyazaki’s cinematic oeuvre as our boys paused to gather acorns — simply as the 2 sisters who star in “Totoro” do. (The boys, who’re Anglo-American, love the acorn scenes a lot that they realized the Japanese phrase for the nut, donguri, earlier than the English one.)

In actuality, we arrived simply earlier than our three-hour afternoon visiting slot at Ghibli’s Grand Warehouse, and our mental capability was restricted. Our parental nerves have been fraying from the hourlong journey from Nagoya and the final wrestle of shifting tiny, diapered people round an unfamiliar place.

Our morning in Nagoya had already been tarnished by a 4 a.m. get up and a few public shows of unchecked toddler emotion. On the grounds of the seventeenth century Nagoya Citadel, for instance, our 3-year-old, nicknamed T, burst into tears when he realized that the fort was closed for renovation.

To interrupt his temper, we took the emergency measure of shopping for him and his brother, nicknamed B, ice cream cones as a second breakfast. That stopped the crying, however our mounting fatigue had raised the stakes for our go to to Ghibli Park. Would the journey to satisfy our favourite magical creatures make on a regular basis, cash and power that it entailed worthwhile?

Ghibli Park may even see a bump in home tourism this summer time as a result of Mr. Miyazaki launched a brand new movie in Japan this month. However, for my household, making a pilgrimage there was all about seeing Totoro and the cat bus.

“Totoro” follows the 2 sisters, Mei, 4, and Satsuki, 10, as they settle right into a spooky home within the Japanese countryside with their father, an archaeologist. Their mom is caught in a close-by sanitarium, affected by an undisclosed sickness.

After Mei meets Totoro by stumbling into its lair inside a large camphor tree (and falls asleep on its tummy), she and her sister encounter the creature a number of extra occasions and be taught extra about its magical powers. Finally, as their mom’s situation seems to worsen, they name in some essential favors from Totoro and the wild-eyed cat bus.

Professor Napier instructed me that “Totoro” illustrates an aesthetic that runs by means of the Ghibli catalog, and which tends to be extra ambiguous and delicate than Disney’s. She described it as “the immersive, low-key magic of being a human being linked with different issues.”

“It’s a world that you just like,” Professor Napier, who’s writing a e-book evaluating Ghibli with Disney, mentioned of Mr. Miyazaki’s animated universe. “But it surely’s additionally stuffed with the surprising and complicated, and typically scary.”

Totoro and the cat bus can certainly be somewhat scary, particularly after they flash their tooth. However the film is way sweeter than it’s scary. It’s set in “a time earlier than tv,” as Mr. Miyazaki as soon as instructed an interviewer, and infused with chic, hand-drawn pastoral imagery — pastel sunsets, a snail crawling up a plant stalk — that makes you wish to be a child rising up in rural idyll.

The movie additionally celebrates a toddler’s sense of marvel. Mr. Miyazaki created “Totoro” with youngsters in thoughts — he mentioned he hoped it will make them wish to decide acorns — and plenty of critics have seen it as an ode to childhood innocence. It’s no accident that Totoro and the cat bus are seen solely to the sisters, not adults.

Perhaps because of this I nonetheless cry each time I watch the ultimate credit roll: “Totoro” jogs my memory that my boys won’t ever be this younger or harmless once more.

In our Seoul house, they play with Totoro and cat-bus dolls, sleep in Totoro pajamas and sit on a Totoro potty. Their fandom is so intense that my mother-in-law purchased us tickets to a “Totoro” stage adaptation on the Barbican Theater throughout our final journey to London.

In Nagoya, earlier than we left for Ghibli Park, B demonstrated his enthusiasm by bringing a plastic cat bus to the lodge buffet — and feeding it a breakfast of whipped cream. He additionally confirmed the toy to a person in a ninja costume who posed for a selfie with us exterior the fort.

The ninja cracked a realizing smile, indicating that he, too, was a “Totoro” fan. “Cat bus,” he mentioned in Japanese, as if the phrase have been a code phrase.

Ghibli Park lies in Nagakute, a small metropolis within the hills exterior Nagoya, a number of stops down a freeway from an Ikea. There’s no Ghibli entrance gate, precisely; you simply wander into an unremarkable municipal park and go searching for the Ghibli websites for which you could have reserved tickets months prematurely.

The Grand Warehouse is a modern, multistory constructing the dimensions of a modest mall or sports activities enviornment, with loads of sunshine streaming in by means of skylights. It sits close to a grassy garden, an ice rink and a few future Ghibli websites which are below building.

Inside, there are replicas of constructions from the movies, together with the towering bathhouse from the Oscar-winning 2001 movie “Spirited Away,” and dozens of made-for-Instagram tableaux of Ghibli scenes and props.

The eye to element is putting. In an space dedicated to the Ghibli movie “Arietty,” I noticed a large drop of plastic dew affixed to a large pretend flower, for instance. Close by was an intricately detailed reproduction of the fort from “Howl’s Transferring Citadel,” my older son’s favourite Miyazaki movie after “Totoro.”

“The fort, daddy!” 3-year-old T mentioned with delight. Finally, a Japanese fort that didn’t make him cry.

The issue was that many of the tableaux have been mobbed with Ghibli followers — and contours that we didn’t have time to face in with stressed toddlers. The constructing’s solely restaurant was equally oversubscribed. We finally discovered a kiosk promoting cake, however the employees mentioned that the cake had run out.

After about an hour of canvassing the warehouse, we headed for “Kids’s City,” a play space dedicated to scenes from “Totoro” and different Ghibli movies.

Kids’s City has three rooms. The primary is a labyrinth combining scenes from extra Ghibli movies than I may rely: The orange practice from “Laputa: Citadel within the Sky,” the bakery from “Kiki’s Supply Service” and so forth. The boys liked it, even when daddy thwacked his head following them by means of a crawl area.

The opposite rooms have been dedicated to “Totoro” and had mercifully increased ceilings. There was the home the place Mei and Satsuki reside with their dad. Over there was the camphor tree, the place a large Totoro lay regally beside some oversize donguri. And within the far nook sat the majestic, furry cat bus.

All of it regarded enjoyable, kid-friendly and immersive — nearly, the truth is, like one thing you’d discover at Disney World. The boys have been in heaven.

“Toe-toe-row! Toe-toe-row!” B mentioned, standing contained in the tree, with the identical intonation because the film’s rousing, marching-band-style theme music.

“Hey, Totoro!” mentioned T, who had been rigorously inspecting the large acorns. “Get up!”

However despite the fact that Kids’s City appeared designed to nurture the kid’s sense of marvel that Mr. Miyazaki celebrates in his motion pictures, the warehouse employees knowledgeable us of a number of guidelines that dampened the vibe. Notably, it was forbidden to place kids on Totoro’s plush tummy, or to permit them to play contained in the cat bus zone for longer than three minutes — even when the zone was not crowded, which it wasn’t.

The employees members have been pleasant, however their guidelines made little sense for teenagers as small as ours. I puzzled if that was one other signal that Ghibli Park was nonetheless a bit tough across the edges. Take your time visiting, because the studio says.

We grudgingly agreed to the no-tummy coverage, however B wished to play nowhere else however contained in the cat bus. We have been with him. We had spent a number of months — chunk of his life! — ready for this second.

The employees, sensing our resolve, instructed a compromise. A particular time extension might be granted below the circumstances, they mentioned. Reasonably than the standard three minutes, our B may have six.

Make that 9. Then 12. Et cetera. At 5 p.m., he was amongst final, and smallest, Ghibli followers to depart the constructing.

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